Top money making movies 1977

Disney’s live action «Aladdin» is shaping up to be the biggest movie of this summer. The Star Wars franchise is the second highest grossing series in movie history thanks in part to this box office champion. The Bandit is hired on to run a tractor trailer full of beer over state lines, in hot pursuit by a pesky sheriff. Sign In.

99. Raging Bull (1980)

The Top Ten Money Making Stars Poll are the polls on determining the bankability of movie stars began quite early in the movie history. At first, they were popular polls and contests conducted in film magazines, where the readers would vote for their favorite stars, like the poll published in New York Morning Telegraph on 17 December Though this and numerous other magazines, like Photoplaykoney with this type too poll, the standards for the polling were set by ma,ing Quigley Publishing Company. They published a poll, which became known as the «Top Ten Money Making Stars Poll», from a questionnaire sent to movie exhibitors every year between and by Quigley Publishing Company. The Top 10 Movise, which appeared annually in Quigley’s Motion Picture Herald and The Motion Picture Almanacwas long regarded top money making movies 1977 one of the most reliable barometers of a movie star’s box-office power, as film exhibitors base their decisions on one economic criterion: those stars who will bring patrons into their top money making movies 1977. For the period, the list was compiled fromexhibitor reports, published in the «What the Picture Did for Me» department in weekly editions of the Exhibitors Herald magazine.

The very best movies stay with you forever. Empire asked readers to pick the best films ever made, combing through their personal collections and placing their votes for the Greatest Movies — from brilliant blockbusters, to cult classics, and everything in between. Read the full list, and head this way to subscribe to Empire. It’s also a coming-of-age movie which celebrates the intensity of childhood friendship, while gently mourning the transience of such bonds. Which is why, unlike its central character, it’ll never get old.

The very best movies stay with you forever. Empire asked readers to pick the best films ever made, combing through their personal collections and placing their votes for the Greatest Movies — from brilliant blockbusters, to cult classics, and everything in. Read the full list, and head this way to subscribe to Empire. It’s also a coming-of-age movie which celebrates the intensity of childhood friendship, while gently mourning the transience of such bonds. Which is why, unlike its central character, it’ll never get old.

Read Empire ‘s review of Stand By Me. Buy the film. Scorsese and De Niro have together made movies better than their boxing biopic, but it’s hard to argue that any of those movies feature a more jaw-dropping performance than De Niro’s here as self-destructive pugilist Jake La Motta.

It also features some of cinema’s best-shot fights; hard to believe that before Scorsese, no director thought to put the camera inside the ring Read Empire ‘s review of Raging Bull. James Cameron doesn’t do things by halves, does he? His movie about the sinking of the world’s biggest cruise liner was the most expensive made, suffered a difficult, overrunning shoot, and was predicted to be a career-ending flop.

But it turned out to be one of the most successful films ever made in terms of both box office and Awardsand made him King Of The World. You couldn’t make it up, could you? Read Empire ‘s review of Titanic. Might seem odd now, but Matt Damon and Ben Affleck’s heartfelt story of a friendship between a troubled maths genius Damon and his unconventional counsellor Robin Williamswho also won an Oscar deserved the accolade. What happened to those guys, anyway?

Read Empire ‘s review of Good Will Hunting. With its message that open-minded communication enables us to realise the things we have in common with those who appear vastly different, it feels like genuinely compulsive viewing for this troubled day and age. Read Empire ‘s review of Arrival. And it’s exactly right that we still don’t know what he whispered to her at the end. Read Empire ‘s review of Lost In Translation.

Rob Reiner and writer William Goldman’s affectionate pastiche of romantic top money making movies 1977 stories. It doesn’t just include one of cinema’s greatest swordfights, or one of its most entertaining battle of wits, but it also has a doozy of a sickbed-storytelling framing device, during which narrator Peter Falk suffers interruptions from his grandson Fred Savageeven pausing and rewinding the action.

Read Empire ‘s review of The Princess Bride. It features time travel and a cyborg, with car chases and shoot-outs, but in James Cameron’s first proper movie ie not featuring flying piranhas it’s all packed around the blood-covered endoskeleton of a relentless-killer horror pic. Read Empire ‘s review of The Terminator. In some ways, it can also be seen as a metaphor for his film-making philosophy: keep the magic practical, don’t give away how you do your tricks, and stay well away from ‘real’ magic ie CGI Read Empire ‘s review of The Prestige.

Before its release, you might have been forgiven for thinking it would be Spaced: The Movie. But the reason it chills so deeply is the way it sustains and builds its disquieting atmosphere so craftily and consistently. Read Empire ‘s review of The Exorcist. A pumped-up men-on-a-mission movie with an ingenious science-fiction tweak. Jesse Ventura! Bill Duke! Carl Weathers! Shane Black!?! Read Empire ‘s review of Predator. You voted… wisely.

Of course, its greatest strength is in Natalie Portmandelivering a luminous, career-creating performance as vengeful year-old Mathilda, whose relationship with the monosyllabic killer is truly affecting, and nimbly stays just on the right side of acceptable. John G. Read Empire ‘s review of Rocky. It also drew some tremendous big names to its supporting cast.

Samuel L. Just, wow. Read Empire ‘s review of True Romance. Read Empire ‘s review of The Social Network. Every frame bursts with vibrant detail and beautifully fantastical invention as young heroine Chihiro has to toil in a bath house for demons to return her piggy parents to human form. Read Empire ‘s review of Spirited Away. Torture through 15 years of solitary?

Hammer-wielding violence? Live octopus-eating? Check, check, chuck-up. But it never feels crowbarred-in. Read Empire ‘s review of Oldboy.

While its ability to make you laugh is undiminished. Read Empire ‘s review of Toy Story. Read Empire ‘s review of A Clockwork Orange. Read Empire ‘s review of Fargo. It also put Naomi Watts on the map; her audition scene remains as stunning as it was 16 years ago. Read Empire ‘s review of Mulholland Dr. You could also make the case that Avengers Assemble is a version.

Read Empire ‘s review of Seven Samurai. Then he witnesses a murder. Read Empire ‘s review of Rear Window. It also manages to wring every last drip of funny out of executing spot-on bombastic, Bayhem-style action in a sleepy English small-town setting.

Read Empire ‘s review of Hot Fuzz. Read Empire ‘s review of The Lion King. As high-concept comedies go, Ghostbusters is positively stratospheric — a story of demonic incursion… with gags! And it manages to wring a fantastic supernatural adventure out of that concept, while never neglecting the opportunity to deliver a great laugh; or, on the flipside, ever allowing the zaniness to swallow up plot coherence. Ray Parker Jr was right. Read Empire ‘s review of Ghostbusters.

Christopher Nolan made the world sit up and pay attention to him by crafting with his brother Jonah a revenge-fuelled crime thriller that dared to demand that its audience sit up and pay attention to its every last. Read Empire ‘s review of Memento. Read Empire ‘s review of Avengers Assemble. Read Empire ‘s review of L.

It was a struggle to get made, it flopped on release, then it found its crowd via word-of-mouth and a palpable sense that its creator, Richard Kelly, really, you know, gets it. Read Empire ‘s review of Donnie Darko.

Read Empire ‘s review of La La Land. Read Empire ‘s review of Forrest Gump. Sam Mendes made his movie career with his directorial debut, the story of Lester Burman: a man who turned his midlife crisis into a midlife resolution — even if his self-liberating antics would ultimately prove disastrous.

Read Empire ‘s review of American Beauty. Read Empire ‘s review of E. Read Empire ‘s review of Inglourious Basterds. Read Empire ‘s review of Whiplash. Oh, and by the way: Nice Guy Eddie was shot by Mr. Who fired twice. Case closed. Read Empire ‘s review of Reservoir Dogs.

Read Empire ‘s review of Pan’s Labyrinth. If Psycho see next entry was Hitchcock’s big shocker, then Vertigo is the one that gets properly under your skin. In the most artful and inventive way. Read Empire ‘s review of Vertigo. The movie Universal originally didn’t want Hitchcock to make not only turned out to be a hands-down masterpiece but also effectively invented a genre: the psycho-killer slasher movie. No longer were movie monsters just big, hairy wolfmen, or vampires, or swampy fish-things.

They could now look completely normal. They could be the guy sat right next to you, in fact Read Empire ‘s review of Psycho. This epic ballad of revenge, redemption and the painful rooting of civilisation in the Old West is peak Leone.

100. Stand By Me (1986)

Mad Money. The Spy Who Loved Me. Retirement Daily. While many East Coast critics dismissed the film for its 197 upon its release, that didn’t stop audiences from flocking in droves to hum along to its Rodgers and Hammerstein tunes. PG min Action, Drama, Thriller. Health Insurance. Freaks Island of Lost Souls.